CMMR 2019 Program Overview

Ongoing artistic events at "La Friche" and Campus Joseph Aiguer

Monday, October 14^th

Campus Joseph Aiguier:

• 08:30 - 09:00 Registration
• 09:00 - 09:30 Welcome
• 09:30 - 10:30 Computational Musicology 1

Chair: Satoshi Tojo (JAIST, Japan)

• 09:30 - 09:50 Modal Logic for Tonal Music.
  Satoshi Tojo
• 09:50 - 10:10 John Cage's Number Pieces, a Geometric Interpretation of “Time Brackets” Notation.
  Benny Sluchin, Mikhail Malt
• 10:10 - 10:30 Modelling 4-dimensional Tonal Pitch Spaces with Hopf Fibration.
  Hanlin Hu, David Gerhard



• 10:30 - 11:00 Coffee break
• 11:00 - 11:40 Computational Musicology 2

Chair: Satoshi Tojo (JAIST, Japan)

• 11:00 - 11:20 Automatic Dastgah Recognition using Markov Models.
  Luciano Ciamarone, Baris Bozkurt, Xavier Serra



• 11:40 - 13:00 Music Production and Composition Tools

Chair: Mathieu Barthet (QMUL, London, UK)

• 11:40 - 12:00 (Re)purposing Creative Commons Audio for Soundscape Composition using Playsound.
  Alessia Milo, Ariane Stolfi, Mathieu Barthet
• 12:00 - 12:20 Programming in Style with Bach.
  Andrea Agostini, Daniele Ghisi, Jean-Louis Giavitto
• 12:20 - 12:40 Method and System for Aligning Audio Description to a Live Musical Theater Performance.
  Dirk Vander Wilt, Morwaread Mary Farbood
• 12:40 - 13:00 Chord Function Identification with Modulation Detection Based on HMM.
  Yui Uehara, Eita Nakamura, Satoshi Tojo



• 13:00 - 14:00 Lunch
• 14:00 - 15:40 Jean-Claude Risset and beyond

Chair: Vincent Tiffon (PRISM, AMU-CNRS, Marseille, France)

• 14:00 - 14:20 Jean-Claude Risset and his Interdisciplinary Practice: What do the Archives Tell Us?
  Vincent Tiffon
• 14:20 - 14:40 Spatial Perception of Risset Notches.
  Julián Villegas
• 14:40 - 15:00 Machine Learning for Computer Music Multidisciplinary Research: A Practical Case Study.
  Hugo Scurto, Axel Chemla-Romeu-Santos
• 15:00 - 15:20 Connecting Circle Maps, Waveshaping, and Phase Modulation via Iterative Phase Functions and Projections.
  Georg Essl
• 15:20 - 15:40 Mathematics and Music: Loves and Fights.
  Thierry Paul



• 15:40 - 16:00 Coffee break


• 16:00 - 16:30 Bus departure to "La Friche"

"La Friche":

• 17:30 - 18:00 Presentation of the PRISM lab and tribute to J.C. Risset
• 18:00 - 18:45 Keynote : John Chowning
• 19:00 - 19:30 Concerts
• 19:30 - 21:00 Cocktail Dinner (hosted by the PRISM Lab)
• 21:00 - 22h30 Concert: Tribute to J.C. Risset

Tuesday, October 15^th

Campus Joseph Aiguier:

• 08:30 - 09:00 Registration
• 09:00 - 10:20 The Process of Sound Design

Chairs: Patrick Susini (IRCAM, Paris, France) and Elif Ozcan Vieira (TU Delft, Netherlands)

• 09:00 - 09:20 Exploring Design Cognition in Voice-Driven Sound Sketching and Synthesis.
  Stefano Delle Monache, Davide Rocchesso
• 09:20 - 09:40 Morphing Musical Instrument Sounds with the Sound Morphing Toolbox.
  Marcelo Caetano
• 09:40 - 10:00 Mapping Sound Properties and Oenological Characters by a Collaborative Sound Design Approach – Towards an Augmented Experience.
  Nicolas Misdariis, Patrick Susini, Olivier Houix, Roque Rivas, Clément Cerles, Eric Lebel, Alice Tetienne, Aliette Duquesne
• 10:00 - 10:20 Kinetic Design - From Sound Spatialisation to Kinetic Music.
  Roland Cahen



• 10:20 - 11:00 Coffee break
• 11:00 - 13:00 Sonic Interaction for Immersive Media - Virtual and Augmented Reality

Chair: Tifanie Bouchara (CNAM-ENJMIN, Paris, France),

• 11:00 - 11:20 Augmented Live Music Performance using Mixed Reality and Emotion Feedback.
  Rod Selfridge, Mathieu Barthet
• 11:20 - 11:40 Designing Virtual Soundscapes for Alzheimer's Disease Care.
  Frédéric Voisin
• 11:40 - 12:00 ARLooper: a Mobile AR Application for Collaborative Sound Recording and Performance.
  Sihwa Park
• 12:00 - 12:20 Singing in Virtual Reality with the Danish National Children's Choir.
  Stefania Serafin, Ali Adjorlu, Lars Andersen, Nicklas Andersen
• 12:20 - 12:40 gravityZERO, an Installation Work for Virtual Environment.
  Suguru Goto, Satoru Higa, John Smith, Chihiro Suzuki



• 13:00 - 14:00 Lunch
• 14:00 - 14h30 Artistic performance
• 14:30 - 15:50 Music and Deafness: From the Ear to the Body

Chairs: Olivier Macherey (LMA, AMU-CNRS, Marseille, France) and Sylvain Brétéché (PRISM, AMU-CNRS, Marseille, France)

• 14:30 - 14:50 Why People with a Cochlear Implant Listen to Music.
  Jérémy Marozeau
• 14:50 - 15:10 The 'Deaf listening'. Bodily Qualities and Modalities of Musical Perception for the Deaf.
  Sylvain Brétéché
• 15:10 - 15:30 Objective Evaluation of Ideal Time-Frequency Masking for Music Complexity Reduction in Cochlear Implants.
  Anil Nagathil, Rainer Martin
• 15:30 - 15:50 Evaluation of New Music Compositions in Live Concerts by Cochlear Implant Users and Normal Hearing Listeners.
  Waldo Nogueira



• 15:50 - 16:30 Coffee break
• 16:30 - 17:30 Embodied Musical Interaction

Chair: Atau Tanaka (Goldsmiths University, London, UK)

• 16:30 - 16:50 Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments.
  Lia Mice, Andrew P. McPherson
• 16:50 - 17:10 An Ecosystemic Approach to Augmenting Sonic Meditation Practices.
  Rory Hoy, Doug Van Nort
• 17:10 - 17:30 Gesture-Timbre Space: Multidimensional Feature Mapping Using Machine Learning & Concatenative Synthesis.
  Zbyszyński, Balandino Di Donato, Atau Tanaka



• 17:30 - 18:30 Phenomenology of Conscious Experience

Chair: Jean Vion-Dury (PRISM, AMU-CNRS, Marseille, France)

• 17:30 - 17:50 Beyond the Semantic Differential: Timbre Semantics as Crossmodal Correspondences.
  Charalampos Saitis
• 17:50 - 18:10 Generative Grammar Based on Arithmetic Operations for Realtime Composition.
  Guido Kramann
• 18:10 - 18:30 A Phenomenological Approach to Investigate the Pre-reflexive Contents of Consciousness during Sound Production.
  Marie Degrandi, Gaëlle Mougin, Thomas Bordonné, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet, Jean Vion-Dury

"La Friche":

• 21:00 - 22:30 Concert: "Augmented, Virtual and Mixed Reality"

Wednesday, October 16^th

Campus Joseph Aiguier:

• 08:30 - 09:00 Registration
• 09:00 - 10:40 Notation and Instruments Distributed on Mobile Devices

Chair: Jonathan Bell (PRISM, AMU-CNRS, Marseille, France)

• 09:00 - 09:20 Mobile Music with the Faust Programming Language.
  Romain Michon, Yann Orlarey, Stéphane Letz, Dominique Fober, Catinca Dumitrascu
• 09:20 - 09:40 COMPOSITES 1: An Exploration into Real-Time Animated Notation in the Web Browser.
  Daniel McKemie
• 09:40 - 10:00 Realtime Collaborative Annotation of Music Scores with Dezrann.
  Ling Ma, Mathieu Giraud, Emmanuel Leguy
• 10:00 - 10:20 Distributed Scores and Audio on Mobile Devices in the Music for a Multidisciplinary Performance.
  Pedro Louzeiro
• 10:20 - 10:40 The BabelBox: an Embedded System for Score Distribution on Raspberry Pi with INScore, SmartVox and BabelScores.
  Jonathan Bell, Dominique Fober, Daniel Fígols-Cuevas, Pedro Garcia-Velasquez



• 10:40 - 11:00 Coffee break
• 11:00 - 12:00 Music Information Retrieval - Music, Emotion and Representation 1

Chair: Davide Rocchesso (University of Palermo, Italy)

• 11:00 - 11:20 Methods and Datasets for DJ-Mix Reverse Engineering.
  Diemo Schwarz, Dominique Fourer
• 11:20 - 11:40 Identifying Listener-informed Features for Modeling Time-varying Emotion Perception.
  Simin Yang, Elaine Chew, Mathieu Barthet
• 11:40 - 12:00 Towards Deep Learning Strategies for Transcribing Electroacoustic Music.
  Matthias Nowakowski, Christof Weiß, Jakob Abeßer



• 12:00 - 13:00 Keynote : Geoffroy Peeters
• 13:00 - 14:00 Lunch
• 14:00 - 15:20 Improvisation, Expectations and Collaborations

Chair: Christine Esclapez (PRISM, AMU-CNRS, Marseille, France)

• 14:00 - 14:20 Improvisation and Environment.
  Christophe Charles
• 14:20 - 14:40 Improvisation: Thinking and Acting the World.
  Carmen Pardo Salgado
• 14:40 - 15:00 Developing a Method for Identifying Improvisation Strategies in Jazz Duos.
  Torbjörn Gulz, Andre Holzapfel, Anders Friberg
• 15:00 - 15:20 Instruments and Sounds as Objects of Improvisation in Collective Computer Music Practice.
  Jérôme Villeneuve, James Leonard, Olivier Tache



• 15:20 - 16:10 Poster Presentation

Chair: Samuel Poirot (PRISM, AMU-CNRS, Marseille, France)

• Flexible Interfaces: Future Developments for Post-WIMP Interfaces.
  Benjamin Bressolette, Michel Beaudouin-Lafon
• Geysir: Musical Translation of Geological Noise.
  Christopher Luna-Mega, Jon Gomez
• Visual Representation of Musical Rhythm in Relation to Music Technology Interfaces - an Overview.
  Mattias Sköld
• A Tree Based Language for Music Score Description.
  Dominique Fober, Yann Orlarey, Stéphane Letz, Romain Michon
• Surveying Digital Musical Instrument Use Across Diverse Communities of Practice.
  John Sullivan, Marcelo M. Wanderley
• Systematising the Field of Electronic Sound Generation.
  Florian Zwißler, Michael Oehler
• Movement Patterns in the Harmonic Walk Interactive Environment.
  Marcella Mandanici, Cumhur Erkut, Razvan Paisa, Stefania Serafin
• Embodiment and Interaction as Common Ground for Emotional Experience in Music.
  Hiroko Terasawa, Reiko Hoshi-Shiba, Kiyoshi Furukawa
• Computer Generation and Perception Evaluation of Music-Emotion Associations.
  Mariana Seiça, Ana Rodrigues, F. Amílcar Cardoso, Pedro Martins, Penousal Machado
• Situating Research in Sound Art and Design: The Contextualization of Ecosound.
  Frank Pecquet
• The Statistical Properties of Tonal and Atonal Music Pieces.
  Karolina Martinson, Piotr Zieliński
• Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments.
  Johnty Wang, Joseph Malloch, Stephen Sinclair, Jonathan Wilansky, Aaron Krajeski, Marcelo M. Wanderley
• The Tragedy Paradox in Music: Empathy and Catharsis as an Answer?
  Catarina Viegas, António M. Duarte, Helder Coelho
• ‘Visual-Music’? The Deaf Experience. 'Vusicality' and sign-singing.
  Sylvain Brétéché
• Machines that Listen: Towards a Machine Listening Model based on Perceptual Descriptors.
  Marco Buongiorno Nardelli, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet
• Pedaling Technique Enhancement: a Comparison between Auditive and Visual Feedbacks.
  Adrien Vidal, Denis Bertin, Richard Kronland-Martinet, Christophe Bourdin
• Musical Gestures: An Empirical Study Exploring Associations between Dynamically Changing Sound Parameters of Granular Synthesis with Hand Movements.
  Eirini–Chrysovalantou Meimaridou, George Athanasopoulos, Emilios Cambouropoulos
• Concatenative Synthesis Applied to Rhythm.
  Francisco Monteiro, F. Amílcar Cardoso, Pedro Martins, Fernando Perdigão
• Enhancing Vocal Melody Transcription with Auxiliary Accompaniment Information.
  Junyan Jiang, Wei Li, Gus G. Xia
• Extraction of Rhythmical Features with the Gabor Scattering Transform.
  Daniel Haider, Peter Balazs
• Kuroscillator: A Max-MSP Object for Sound Synthesis using Coupled-Oscillator Networks.
  Nolan Lem, Yann Orlarey
• Distinguishing Chinese Guqin and Western Baroque Pieces based on Statistical Model Analysis of Melodies.
  Yusong Wu, Shengchen Li
• End-to-end Classification of Ballroom Dancing Music Using Machine Learning.
  Noémie Voss, Phong Nguyen
• An Evidence of the Role of the Cellists' Postural Movements in the Score Metric Cohesion.
  Jocelyn Rozé, Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad



• 16:10 - 18:30 Poster and Demo session (including coffee break)

Chairs: Samuel Poirot and Adrien Vidal (PRISM, AMU-CNRS, Marseille, France)

Poster session

• Flexible Interfaces: Future Developments for Post-WIMP Interfaces.
  Benjamin Bressolette, Michel Beaudouin-Lafon
• Geysir: Musical Translation of Geological Noise.
  Christopher Luna-Mega, Jon Gomez
• Visual Representation of Musical Rhythm in Relation to Music Technology Interfaces - an Overview.
  Mattias Sköld
• A Tree Based Language for Music Score Description.
  Dominique Fober, Yann Orlarey, Stéphane Letz, Romain Michon
• Surveying Digital Musical Instrument Use Across Diverse Communities of Practice.
  John Sullivan, Marcelo M. Wanderley
• Systematising the Field of Electronic Sound Generation.
  Florian Zwißler, Michael Oehler
• Movement Patterns in the Harmonic Walk Interactive Environment.
  Marcella Mandanici, Cumhur Erkut, Razvan Paisa, Stefania Serafin
• Embodiment and Interaction as Common Ground for Emotional Experience in Music.
  Hiroko Terasawa, Reiko Hoshi-Shiba, Kiyoshi Furukawa
• Computer Generation and Perception Evaluation of Music-Emotion Associations.
  Mariana Seiça, Ana Rodrigues, F. Amílcar Cardoso, Pedro Martins, Penousal Machado
• Situating Research in Sound Art and Design: The Contextualization of Ecosound.
  Frank Pecquet
• The Statistical Properties of Tonal and Atonal Music Pieces.
  Karolina Martinson, Piotr Zieliński
• Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments.
  Johnty Wang, Joseph Malloch, Stephen Sinclair, Jonathan Wilansky, Aaron Krajeski, Marcelo M. Wanderley
• The Tragedy Paradox in Music: Empathy and Catharsis as an Answer?
  Catarina Viegas, António M. Duarte, Helder Coelho
• ‘Visual-Music’? The Deaf Experience. 'Vusicality' and sign-singing.
  Sylvain Brétéché
• Machines that Listen: Towards a Machine Listening Model based on Perceptual Descriptors.
  Marco Buongiorno Nardelli, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet
• Pedaling Technique Enhancement: a Comparison between Auditive and Visual Feedbacks.
  Adrien Vidal, Denis Bertin, Richard Kronland-Martinet, Christophe Bourdin
• Musical Gestures: An Empirical Study Exploring Associations between Dynamically Changing Sound Parameters of Granular Synthesis with Hand Movements.
  Eirini–Chrysovalantou Meimaridou, George Athanasopoulos, Emilios Cambouropoulos
• Concatenative Synthesis Applied to Rhythm.
  Francisco Monteiro, F. Amílcar Cardoso, Pedro Martins, Fernando Perdigão
• Enhancing Vocal Melody Transcription with Auxiliary Accompaniment Information.
  Junyan Jiang, Wei Li, Gus G. Xia
• Extraction of Rhythmical Features with the Gabor Scattering Transform.
  Daniel Haider, Peter Balazs
• Kuroscillator: A Max-MSP Object for Sound Synthesis using Coupled-Oscillator Networks.
  Nolan Lem, Yann Orlarey
• Distinguishing Chinese Guqin and Western Baroque Pieces based on Statistical Model Analysis of Melodies.
  Yusong Wu, Shengchen Li
• End-to-end Classification of Ballroom Dancing Music Using Machine Learning.
  Noémie Voss, Phong Nguyen
• An Evidence of the Role of the Cellists' Postural Movements in the Score Metric Cohesion.
  Jocelyn Rozé, Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad




Demo Session




• Synchronizing Performers using Self-scrolling Proportional Music Notation.
  James Tsz-him Cheung
• “Tales From the Humanitat” - A Multiplayer Online Co-Creation Environment.
  , Geoffrey Edwards, Jocelyne Kiss, Juan Nino
• Auditory Gestalt Formation for Exploring Dynamic Triggering Earthquakes.
  Masaki Matsubara, Yota Morimoto, Takahiko Uchide
• Minimal Reduction.
  Christopher Chraca
• M O D U L O.
  Guido Kramann
• A Real-time Synthesizer of Naturalistic Congruent Audio-Haptic Textures.
  Khoubeib Kanzari, Corentin Bernard, Jocelyn Monnoyer, Sébastien Denjean, Michaël Wiertlewski, Sølvi Ystad
• WebAudio Plugins in DAWs and for Live Performance.
  Michel Buffa, Jérôme Lebrun, Guillaume Pellerin
• MIMES: A Tool for Sound Exploration and Sound Prototyping.
  Olivier Houix, Frédéric Bevilacqua, Diemo Schwarz, Nicolas Misdariis, Patrick Susini, Manuel Poletti, Thomas Goepfer
• UPISketch2.
  Rodolphe Bourotte
• Spatialized Seismic Soundscapes: Exploring Seismic Data in Virtual Reality.
  Arthur Paté, Benjamin K. Holtzman, Lapo Boschi, Gaspard Farge, Anna C. Barth, Seth A. Cluett, Martin Pratt, Jason Candler, Douglas Repetto, Leif Karlstrom, Josh Crozier, Piero Poli, Kristina Okamoto, Johanna Nelson
• Melody Slot Machine.
  Masatoshi Hamanaka
• CompoVOX 2: Generating Melodies and Soundprint from Voice in Real Time.
  Daniel Molina Villota, Antonio Jurado-Navas, Isabel Barbancho
• To be confirmed
  James Léonard
• Coretet: a 21st Century Virtual Interface for Musical Expression.
  Rob Hamilton

"La Friche":

• 21:00 - 22:30 Concert: "Research Project - Contemporary Music"

Thursday, October 17^th

Campus Joseph Aiguier:

• 08:30 - 09:00 Registration
• 09:00 - 10:20 Audio Signal Processing - Music Structure Analysis

Chair: Keiji Hirata (Future University Hakodate, Japan)

• 09:00 - 09:20 Generating Walking Bass Lines with HMM.
  Ayumi Shiga, Tetsuro Kitahara
• 09h20 - 09h40 MUSICNTWRK: Data Tools for Music Theory, Analysis and Composition.
  Marco Buongiorno Nardelli
• 09h40 - 10h00 Feasibility Study of Deep Frequency Modulation Synthesis.
  Keiji Hirata, Masatoshi Hamanaka, Satoshi Tojo
• 10h00 - 10h20 Description of Monophonic Attacks in Reverberant Environments via Spectral Modeling.
  Thiago A. M. Campolina, Mauricio Alves Loureiro



• 10:20 - 11:00 Coffee break
• 11:00 - 12:00 Auditory Perception and Cognition - Music and the Brain 1

Chair: Bruno Giordano (INT, AMU-CNRS, Marseille, France)

• 11h00 - 11h20 Modeling Human Experts' Identification of Orchestral Blends Using Symbolic Information.
  Aurélien Antoine, Philippe Depalle, Philippe Macnab-Séguin, Stephen McAdams
• 11h20 - 11h40 The Effect of Auditory Pulse Clarity on Sensorimotor Synchronization.
  Prithvi Kantan, Rareș Ștefan Alecu, Sofia Dahl
• 11h40 - 12h00 The MUST Set and Toolbox.
  Ana Clemente, Manel Vila-Vidal, Marcus T. Pearce, Marcos Nadal



• 12:00 - 13:00 Keynote : Josh McDermott
• 13:00 - 14:00 Lunch
• 14:00 - 15:50 Music Information Retrieval - Music, Emotion and Representation 2

Chair: Diemo Schwarz (IRCAM, Paris, France)

• 14h00 - 14h20 Ensemble Size Classification in Colombian Andean String Music Recordings.
  Sascha Grollmisch, Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil
• 14h20 - 14h40 Towards User-informed Beat Tracking of Musical Audio.
  António Sá Pinto, Matthew E. P. Davies
• 14h40 - 15h00 Drum Fills Detection and Generation.
  Frédéric Tamagnan, Yi-Hsuan Yang
• 15h00 - 15h20 Discriminative Feature Enhancement by Supervised Learning for Cover Song Identification.
  Yu Zhesong, Chen Xiaoou, Yang Deshun



• 15:20 - 16:00 Coffee break
• 16:00 - 17:00 Audition Perception and Cognition - Music and the Brain 2

Chair: Josh McDermott (MIT, USA)

• 16h00 - 16h20 Perception of the Object Attributes for Sound Synthesis Purposes.
  Antoine Bourachot, Khoubeib Kanzari, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet
• 16h20 - 16h40 A Proposal of Emotion Evocative Sound Compositions for Therapeutic Purposes.
  Gabriela Salim Spagnol, Li Hui Ling, Li Min Li, Jônatas Manzolli
• 16h40 - 17h00 On the Influence of Non-Linear Phenomena on Perceived Interactions in Percussive Instruments.
  Samuel Poirot, Stefan Bilbao, Sølvi Ystad, Mitsuko Aramaki, Richard Kronland-Martinet



• 17:00 - 17:30 Information for future CMMR meetings


• 17:30 - 18:00 Bus departure to "La Friche"

"La Friche":

• 19:00 - 20:30 Concert: Interactive Music
• 20:30 - 22:30 Gala Dinner at "Les Grandes Tables"

Friday, October 18^th

Campus Joseph Aiguier:

• 08:30 - 09:00 Registration
• 09:00 - 13:00 Workshop on Introduction to the bach library
• 09:00 - 13:00 Session and Workshop on Ubiquitous Music 1

Organizer: Damian Keller, Amazon Center for Music Research (UFAC/IFAC) and Leandro Costalonga, Federal University of Espirito Santo (NESCoM/UFES)

• Musicality Centred Interaction Design to Ubimus: a First Discussion.
  Leandro Costalonga, Evandro Miletto, Marcelo S. Pimenta
• A Soundtrack for Atravessamentos: Expanding Ecologically Grounded Methods for Ubiquitous Music Collaborations.
  Luzilei Aliel, Damián Keller, Valeska Alvim
• The Analogue Computer as a Voltage-Controlled Synthesiser.
  Victor Lazzarini, Joseph Timoney
• Sounding Spaces for Ubiquitous Music Creation.
  Marcella Mandanici
• Ubiquitous Music, Gelassenheit and the Metaphysics of Presence: Hijacking the Live Score Piece Ntrallazzu 4.
  Marcello Messina, Luzilei Aliel
• Live Patching and Remote Interaction: A Practice-Based, Intercontinental Approach to Kiwi.
  Marcello Messina, João Svidzinski, Deivid de Menezes Bezerra, David Ferreira da Costa



• 09:00 - 13:00 Workshop on Sound Morphing and the Sonic Continuum
• 13:00 - 14:00 Lunch
• 14:00 - 17:30 Workshop on Advanced programming to the bach library
• 14:00 - 17:30 Workshop on Ubiquitous Music 2
• 14:00 - 17:30 Workshop on MUSICNTWRK